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Countless tales of girl-on-girl romances between all kinds of couples are explored as Yuna and her ghostly comrades play cupid in their quest to have the first and last climax of their afterlives.Kokonotsuboshi Girls' Academy of Commerce, a school built on the site of an old castle, nicknamed "Shirojo." One day, the timid Toomi Yuna, who had been living a quiet life at this school, suddenly met two ghosts on the roof during lunch: Enoki Sachi, who died in an accident before the war, and Nagatani Megumi, who died of illness 30 years ago.The idea of empowering oppressed peoples through the assimilation of outside influences is reinforced through Varejão’s mixture of global artistic mediums and styles.Her approach has resulted in a diverse body of work that can be both humorous and grotesque in its assessment of humankind’s history of coexistence.This exhibition serves as a continuation of the artist’s 2015 solo exhibition at the Dallas Contemporary, in which Varejão looked to art history—both Native American as well as within the Western canon—for inspiration, producing a tableau that reinterprets the Eurocentric perspective of the New World.
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, 29 portraits of the artist donning the face painting and body ornamentation of Native American tribes intermixed with markings derived from artworks by Minimalist and contemporary American artists, and the paintings, which reference the visual culture of the Mimbres people who inhabited the American Southwest in the 11th century.
Together these bodies of work elaborate on Varejão’s longstanding interest in colonialism’s effect on the aesthetics of identity.
The two "kindred spirits" died with unrequited feelings in their hearts, met, and fell in love.
They ardently wish to experience their "first time" together before their eternal rest ... The two who are bound to the site of the school enlist Yuna to help them create more "yuri" couples at the school so that they can glean some sexual insight from observing them, and to assist the girls struggling with their hidden feelings.